the Record 52 1/2 vice - a timeline

9th Jun 2019
Tags: Record Tools Ltd,  vices

Here is a short summary of the history of the Record 52 1/2 vice. You can read more about this vice here and information on the other vices mentioned can be found here


Wilson Riley and and an unknown inventor working for Smith, Marks & Co applied to patent two different quick-release (QR) vices in 1877. Both inventors were living in Keightley, Yorkshire.
Riley’s invention was purchased by Entwisle and Kenyon and marketed as the ‘Lightening Grip’ vice. The same design was produced by Massey under license for the US Market.

Smith, Marks & Co handled manufacturing and the vices were sold by Thomas Syer of London who marketed it as the Standard Instantaneous Grip vice.

The vices were both successful enough to warrant a glowing write-up in Francis Young’s seminal work Everyman His Own Mechanic (1881).

You can read more about Entwisle and Keynon’s Lightening Grip vice here and the Syer’s Instantaneous Grip vice here


After one of his customers starts making a copy of his ‘Handy’ range of vices, Joseph Parkinson invents a new quick-release mechanism and files for a patent to protect it. He calls his new range of vices the ‘Patent Perfect’ range.

Vices based on his design are still made today.
more on Parkinson’s invention here

WC Toles, an American inventor, patents a new QR mechanism and launches the first home grown USA quick release vise of note. It is of interest because it is one of the earliest QR vices to use steel rods rather than cast iron sliders. The vice competes with the Massey version of the E&K vice in the US market.

Read more about the Toles vice here and vices made by a their US competitor Wilcox.


C&J Hampton release their first vice: a copy of Parkinson’s (which is no longer protected by his patent) and give them the trade name of ‘Record’.

More about the vice that became the world famous Record 52 1/2 can be found here


C&J Hampton release their improved version, retaining the Parkinson quick release mechanism but incorporating steel rods rather than cast iron sliders. Although they have borrowed the idea of the rods, they take the precaution of registering a design patent and casting the design number into the front of the casting.


C&J Hampton introduce the ‘screw and nut cover’ (this is a metal cover that extends the length of the screw, preventing sawdust and shavings dropping on the thread). Vices that included the cover were given an ‘A’ post-fix. These models were about 10% more expensive than the standard vices)


C&J Hampton apply to patent a “sawduster excluder plate” (see the plate with the blue and yellow sticker on it in the picture on the right) At the same time they also introduced a removable housing for the the half nut and changed the position of the spring (moving it from under the half nut to the inside face of the front jaw). Around this time C&J Hampton introduce a new range of bench planes and extended the use of their trade name ‘Record’ to cover these too.


C&J Hampton’s registered design patent expired in 1933, but it is likely that they continued to use castings with the number embossed on them for some period after that (possibly because they were working through old stock of castings). At some point in the 1930s they introduced a transitional casting with the RD number removed.


Record redesigned the front jaw casting once again, removing the space previously reserved for the RD number. This version of the vice was the pinnacle of Record’s vice designs and remained unchanged until the 1960s.

Record 52 1/2 1940s


The final version of C & J Hampton’s woodworker’s vices that they would produce as an independent company was introduced in 1963. The range included a number of changes that, although billed as improvements, would doubtless have resulted in the reduction of manufacturing costs.


The current owners of the Record brand (Irvin) continue to make a version of the QR vice, although it is a pale imitation of the versions made in the 30s, 40s and 50s. Countless companies have made copies of the design over the years. Some of the high quality versions are by Parkinson, Toga (Bucks and Hickman), Rededa, Paramo, Marples, Woden. The modern copies (Irvin Annant, York, Dawn etc), although functional, are made to a comparably low standard to keep the price down.



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